THE MYSTERIOUS PAST<\/p>\n
I was out for a walk one day and was struck by the idea of using earth as a primary colour for my next series of paintings. I started the painting process by extracting pigments from my immediate surroundings. In all the pictures, the primary and predominant colours stem from the earth right next to our house.<\/p>\n
Using low and high relief, I wanted to add extra depth to the paintings, a concept of spaciousness and make it possible to touch the matter.<\/p>\n
With earthy sepia and a vignette, I wanted to add an antique tone to my paintings.<\/p>\n
The staged stone architecture elements are reminiscent of the Middle Ages. The stone is a recurring element, cold, without a soul (life), yet a major part of nature.<\/p>\n
Nature is not only staged in the paintings themselves but is also part of the paintings.<\/p>\n
With a passion for architecture, I follow pure geometric shapes (lines), strict perspective<\/p>\n
construction with a clear, precise, almost incised line.<\/p>\n
In almost all the paintings there is a mysterious touch of dark shadows, which stimulates the observer’s imagination and invites them into its depth.<\/p>","protected":false},"excerpt":{"rendered":"
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